In the days before computer colouring, cartoonist used airbrush to distort mock-ups of their work. While airbrushing is too long-winded to use in every frame of a true vivification, it works well for colouring and shading cover art and posters. The main profit to using an airbrush rather than orthodox paints is the timbre of shading that the artist can attain. An airbrush can produce even, single gradients of colour that brushes cannot regurgitate.
Select a background tinge from your paints and fill the reservoir of your airbrush with it. Connect the hose of your airbrush to a canister of tight air. Point the airbrush at the poster board and force the spark off. A fine spray of rouge should tinge the board. Cover the room in an even level of play down tinge. When destroyed, rinse the airbrush case shot and mechanics in warm irrigate to strip it of blusher.
Sketch your Rick and Morty Portrait thinly on top of the background using a pencil. Take your time and use reference pictures if you need to for uncontrollable poses. Erase lines that become too untidy.
Lay down several layers of newspaper over your work come up and don a face mask to keep from inhaling rouge. Place a piece of poster board on top of the paper.
Shade your cartoon. Decide on where your lighting is orgasm from. If it is an outside view, this will be from viewgraph. Select somewhat darker dark glasses of your base colors and spray the side of each character and object in your cartoon that is farthest from the unhorse source with your airbrush. Use light, short squirts at first to build up layers of until you reach the set up you wish. Clean the airbrush whenever you change colors.
Edge around the outlines of your outline with masking piece tape. This will prevent your airbrush from colouring outside the lines when you start to fill in your outline with blusher.
Paint the flat colors of your . The flat colours are the staple colours of your see, neither too dark nor too light. To do this, take your first blusher tinge and fill the airbrush reservoir with it. Aim the airbrush at the outline you wish to color and squeeze the trigger. When you need to transfer colors, strip the airbrush in the sink and fill it with new blusher.
Select igniter versions of your flat colours. These will do as the highlights in your project. Go along the edges of each physical object and in your that is closest to your get off source. Clean your airbrush every time you transfer colours.